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What does a podcast producer do? A plain-English guide for B2B teams

October 26, 2026
Matt Cheney
Studio microphone and notebook on a wooden desk in a purple-lit podcast studio

A podcast producer is the person responsible for the whole show, not just the edit. They work out who it’s for and what it should achieve, plan the episodes and guests, run the recording, oversee the edit, publish it and make sure it reaches the right people. On a B2B podcast, a good producer also makes sure every episode does a job for the business.

I’ve spent 20+ years in broadcast TV, branded content and podcast production, and this is the question I hear most from marketing teams. It usually comes with a worry attached: are we paying for an editor with a fancy title, or someone who’ll actually take this off our plate? Here’s what the role covers, how it differs from an editor or a host, and how to tell whether you need one.

The short answer: A podcast producer owns a show from idea to published episode: strategy, format, guests, recording, editing, publishing and promotion. An editor works on the recording. A host leads the conversation. The producer makes sure the whole thing works, and keeps working.

What a podcast producer does, stage by stage

StageWhat the producer doesWhat you do
StrategyDefines the audience, the goal and the format, and agrees what success looks likeExplain what you’re trying to achieve
PlanningBuilds the episode plan, finds and books guests, writes briefs and question linesApprove topics and guests
RecordingSets up the studio or remote kit, directs the session and keeps it on trackTurn up and talk
EditingCuts, mixes and masters the audio and video, and tightens rambling answersReview the edit
PublishingHosting, RSS feed, Apple Podcasts, Spotify, YouTube, titles and show notesNothing
RepurposingClips, posts, articles and newsletter copy from every recordingShare them on your channels
ReviewMeasures results against the original goals and adjusts the planJoin a review

The edit is the part people can hear, so it’s the part people assume the job is. In practice it’s often less than half the work. The hours go into planning, guest wrangling, publishing and getting each episode to the right audience.

Take Retirement Rebel, a show I developed with author Siobhan Daniels. Before we recorded a word, we built it around the community she already had through her bestselling book, her social channels and her live talks, so the show launched to listeners who were waiting for it. Every guest then went through a checklist tied to the show’s pro-age mission, which ruled out celebrity stories that felt out of reach and put ordinary women over 60 at the centre, the people her audience saw themselves in.

Producer, editor or host: who does what?

RoleFocusDoesn’t usually do
HostLeads the conversation and brings the expertiseLogistics, editing, publishing
EditorCleans up and polishes the recordingsStrategy, guests, publishing, promotion
ProducerOwns the show end to end and keeps it on purposeCan do the edit, but the job is bigger

Plenty of teams hire an editor, then wonder why the show drifts after a few months. The editor did exactly what they were asked. Nobody was holding the purpose of the show.

Why a B2B producer has to think like a strategist

Strategy that doesn’t understand production creates plans that fall apart by episode four. Production without strategy creates shows that sound polished and do nothing for the business. You get the best results when one person holds both, because strategy changes practical decisions every week:

  • Who your buyers are decides which guests you invite.
  • Where they are in the buying journey decides how deep each conversation goes.
  • Your best channel decides how you record. If it’s LinkedIn, you plan for strong short clips from the start.
  • Your team’s time decides the format and how often you publish.

That’s why every show I make starts with a strategy session, the Blueprint, before anything is recorded. It’s also why one recording can become a month of content rather than a single episode.

Signs you need a producer, not just an editor

  • You’ve been asked for a podcast, and nobody on the team has made one before.
  • Your show launched well, then slowed down after a handful of episodes.
  • The episodes sound fine, but nobody can say what they’re doing for the business.
  • Your marketing lead spends their week chasing guests and uploading files.
  • You want each recording to feed your LinkedIn, email and blog, not just your podcast feed.

If you already have a clear plan and someone who owns it, a good editor may be all you need. That’s a perfectly sensible choice.

What does a podcast producer cost in the UK?

It depends on how much of the work they take on, how often you publish and whether there’s video. I’d rather be specific about my own prices than guess at other people’s. My production packages start at £1,250 a month for Essentials and £2,750 a month for Professional, which adds recording, video and repurposing for every channel. Both include four episodes a month, with no minimum term. Every show starts with a £299 Blueprint, and most clients spend four to six hours a month on the podcast, mainly recording and approvals.

How to choose a podcast producer

Ask these questions on the first call, and listen for joined-up answers. You want someone who moves comfortably between business goals and production detail.

  1. How will you define who the show is for?
  2. How do you connect episodes to what the business needs?
  3. How will you fit the format around our team’s time?
  4. What gets repurposed, and who decides?
  5. How will we know whether it’s working?
  6. Who owns the feed and the recordings? (The answer should be: you.)

Frequently asked questions

Does a podcast producer edit the episodes?

Often, yes, either themselves or by directing an editor. But editing is one part of the job. The producer is responsible for the show working as a whole.

Do I need a recording studio?

Not necessarily. Remote recording works well with decent kit and a quiet room, and a good producer will coach you on both. A studio helps most when you want video or the best possible sound.

How long does it take to launch a podcast?

With me, usually four to six weeks from the Blueprint to the first published episode. That covers strategy, show design, artwork, set-up, a pilot and the launch plan.

Who owns the podcast?

You should. With me, the show, the feed, the recordings and the artwork are yours, with hosting and distribution set up in your name.

Not sure what your show needs?

Book a free 20-minute call and we’ll work out whether you need a producer, an editor, or just a clear plan. Or read what the Blueprint includes.