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A podcast producer is the person responsible for the whole show, not just the edit. They work out who it’s for and what it should achieve, plan the episodes and guests, run the recording, oversee the edit, publish it and make sure it reaches the right people. On a B2B podcast, a good producer also makes sure every episode does a job for the business.
I’ve spent 20+ years in broadcast TV, branded content and podcast production, and this is the question I hear most from marketing teams. It usually comes with a worry attached: are we paying for an editor with a fancy title, or someone who’ll actually take this off our plate? Here’s what the role covers, how it differs from an editor or a host, and how to tell whether you need one.
The short answer: A podcast producer owns a show from idea to published episode: strategy, format, guests, recording, editing, publishing and promotion. An editor works on the recording. A host leads the conversation. The producer makes sure the whole thing works, and keeps working.
The edit is the part people can hear, so it’s the part people assume the job is. In practice it’s often less than half the work. The hours go into planning, guest wrangling, publishing and getting each episode to the right audience.
Take Retirement Rebel, a show I developed with author Siobhan Daniels. Before we recorded a word, we built it around the community she already had through her bestselling book, her social channels and her live talks, so the show launched to listeners who were waiting for it. Every guest then went through a checklist tied to the show’s pro-age mission, which ruled out celebrity stories that felt out of reach and put ordinary women over 60 at the centre, the people her audience saw themselves in.
Plenty of teams hire an editor, then wonder why the show drifts after a few months. The editor did exactly what they were asked. Nobody was holding the purpose of the show.
Strategy that doesn’t understand production creates plans that fall apart by episode four. Production without strategy creates shows that sound polished and do nothing for the business. You get the best results when one person holds both, because strategy changes practical decisions every week:
That’s why every show I make starts with a strategy session, the Blueprint, before anything is recorded. It’s also why one recording can become a month of content rather than a single episode.
If you already have a clear plan and someone who owns it, a good editor may be all you need. That’s a perfectly sensible choice.
It depends on how much of the work they take on, how often you publish and whether there’s video. I’d rather be specific about my own prices than guess at other people’s. My production packages start at £1,250 a month for Essentials and £2,750 a month for Professional, which adds recording, video and repurposing for every channel. Both include four episodes a month, with no minimum term. Every show starts with a £299 Blueprint, and most clients spend four to six hours a month on the podcast, mainly recording and approvals.
Ask these questions on the first call, and listen for joined-up answers. You want someone who moves comfortably between business goals and production detail.
Often, yes, either themselves or by directing an editor. But editing is one part of the job. The producer is responsible for the show working as a whole.
Not necessarily. Remote recording works well with decent kit and a quiet room, and a good producer will coach you on both. A studio helps most when you want video or the best possible sound.
With me, usually four to six weeks from the Blueprint to the first published episode. That covers strategy, show design, artwork, set-up, a pilot and the launch plan.
You should. With me, the show, the feed, the recordings and the artwork are yours, with hosting and distribution set up in your name.
Book a free 20-minute call and we’ll work out whether you need a producer, an editor, or just a clear plan. Or read what the Blueprint includes.